Outsiders in London

 

THE EXHIBITION

The exhibition of Outsiders in London, Are you one, too ? was held at The Gallery in the Crypt,

St Martin-in-the-Fields, Trafalgar Square, London WC2N 4JJ, from 23rd March to 8th May 2015.


Updated 6th June 2015

The Exhibition with the kind support of:

Final exhibition images were printed during the month of November 2014 using two of Epson’s fine art papers but primarily the Cold Press Natural which is my favourite stock for studio portraiture. For further information about background & technical issues related to this project, please visit a dedicated page via the link below:


INFORMATION - Background & Technical

2 of the 17 exhibition panels displayed in the gallery

We estimate that, during its seven-week run, the exhibition was viewed by over 8,000 visitors and while responses varied, most were overwhelmingly positive.  Sadly, we also have to record that there were a number of very negative, chauvinistic and occasionally vitriolic attacks - one Home Counties visitor actually referred to the sitters as “the detritus of society” - and there was even a physical attack on one image. It is interesting that much of the drive behind such attacks appears to emanate from the Home Counties, almost never from metropolitan London, or from further afield in the UK or abroad.  One might be tempted to speculate upon whether the Home Counties are breeding a race of people who find it difficult to accept humanity the way it is;  indeed, worse than that, a species who cannot even bear to gaze upon the two-dimensional representations of other human beings, so different from themselves, except through the distorting lenses of racism and bigotry.   Every artist fears indifference most of all but I am happy to say that there was no evidence of that! 


We have also received a goodly number of anonymous responses via the dedicated facility inside the gallery;  these have been transcribed and can be viewed via the following link:


Are you an outsider too?

VISITORS’  RESPONSES

The exhibition had a minuscule publicity budget and we could not afford to secure any professional promotion services;  consequently, we were again largely ignored by the mainstream media.   However, the exhibition was featured in the Beaumont Society Magazine, in the Brixton Bugle, and perhaps most unexpectedly, in The Lady - they were doing a piece on Brian Sewell.   Milan was also interviewed on LondonLive Television, on 10 April, as part of their weekly Arts & Culture programme. 


The online publicity coverage was much more considerable, with possibly the most noteworthy contribution by David Tacker, Special Correspondent of the Daily Constitutional, who wrote on 29 April 2015:


Literature, says C.S. Lewis, “admits us to experiences other than our own.”


Goes on to say, “the man who is contented to be only himself, and therefore less a self, is in prison. My own eyes are not enough for me, I will see through those of others.”


Forty others in the case of Outsiders in London, the small-but-guaranteed-to-stop-you-in-your-tracks photo exhibition in the Crypt at St. Martin in the Fields, the old church in Trafalgar Square.


Without naming names, there are quite a few big ticket affairs in London right now I’d give a miss to if I had to choose between seeing them and spending an hour or so in that makeshift little gallery getting to know those 40 Londoners.


It’s a potent combination. Those faces. Their stories. That arrow-in-the-heart subtitle:

Are you one, too?


And that’s not to mention the virtuosity of the image making. Camera shamra. We’re not in the realm of cameradom here. Those 40 portraits are masterpieces. We’re not just seeing 40 London outsiders – seeing right into them. We’re seeing  what they see. Seeing with their eyes.


It’s a stunning achievement. Those images are beautiful. They’re humbling. They’re provocative.


Their creator – the photographer – is Milan Svanderlik. And, yes, if you insist, he’s Czech, knows whereof he photographs by virtue of being an “outsider” himself.


That’s paint-by-numbers criticism. On a par with the ho hum inducement: there are a couple of famous faces hanging up there. Svanderlik’s work – this exhibition – deserves better. It deserves you doing it the justice and doing yourself the favour of making sure you don’t miss it.


RELATED PUBLICITY


For Milan’s interview for decoded Arts by Frances Spiegel go to:



For Milan’s podcast for Social History Hub by Lainy Malkani go to:



For Debbie Hubbard’s Outsiders in London Blog go to: